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JERO ニューヨーク初公演! 

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JEROインタビューを読む

ジェロNY初公演!@ Japan Society

アメリカの黒人なのに、日本人の誰よりも「日本の心」を大切にしている演歌歌手のジェロがニューヨークのジャパン・ソサエティで初ライヴを敢行しました。

当日のショーはソールド・アウトの大盛況。ニューヨーク地元のファンだけでなく、中にはジェロのライヴを見るためだけにネブラスカからわざわざやってきたというアメリカ女性などもいて、あらためてジェロの異常人気ぶりに驚ろかされました。

Jero Live Concert

そして、ステージに登場したジェロの衣装にまたびっくり。いつものヒップホップ・ファッションとちがい、光った襟のついた真っ青なスーツ姿はどことなくペンギンみたい。お辞儀のしかた、目線、曲の終わりの「ありがとうございます。」という丁寧な挨拶、すべてのしぐさが、私たち日本人よりもっとニッポンを感じさせます。

ジャパン・ソサエティで開催されたNY初ライヴは生バンドではなくカラオケで行われ、ダンサーやバック・シンガーもいないジェロの独演、ソロ・パフォーマンスを思う存分披露してくれました。舞台天井から吊るしたミラーボールの燦々とした輝きはまるで場末のディスコのよう、ニューヨークの街にいるとは思えないニッポンの哀愁が漂っていました。

Jero Live Concert

ライヴのソング・リスト

海雪(2008年のデビュー曲)

氷雨(1977年加山昭夫)

雪国(1977年吉幾三)

越後獅子の唄(1950年美空ひばり)

津軽平野(1984年千昌夫)

晴れ舞台(2008年ジェロ・オリジナル曲)

夜空(1973年五木ひろし)

待っている女(1972年五木ひろし)

夜明けの風(2012年ジェロ・オリジナル曲)

アンコール曲

上を向いて歩こう(1961年坂本九)

ライヴの後は、ふだんはあまりやらないという「ミート&グリート」にジェロ本人が駆けつけてくれ、CDを買ったお客さん全員にサインと握手の大サービス。収益金は全てジャパン・ソサエティ震災基金に寄付されるそうです。

 – 次回はJEROのエクスクルーシブ・インタビュー!!-

Pittsburgh-native, Tokyo-based Enka superstar JERO made his New York debut at Japan Society

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→READ EXCLUSIVE INTERVIEW

Pittsburgh-native, Tokyo-based Enka superstar JERO made his New York debut at Japan Society!

Jero (Jerome Charles White, Jr.) made his New York City convert debut on Saturday June 9th before a sold-out audience at Japan Society in Manhattan. He the first African-American Enka singer in Japan’s history, having been inspired into the genre by his Japanese grandmother. It has been said Jero has single-handedly reignited Japan’s interest in this traditional post-war music style known as Enka.

Jero appeared on stage wearing a blue suit featuring shiny white labels that reminded me of the lavish costumes worn by one of his favorite artists, the late American soul star Luther Vandross. He peerformed his own original songs as well as Enka classics made popular by  Misora Hibari and Itsuki Hiroshi among others.

Following the concert, fans enjoyed a rare meet-and-greet opportunity with Jero as he shook hands and autographed CDs. All proceeds from the sales will be donated to The Japan Earthquake Relief Fund established by Japan Society in the wake of 3/11.

Set List

Ymiyuki (Ocean Snow)

Hisame (Freezing Rain)

Yukiguni (Snow Country)

Echigo Jishi no Uta (Echigo Jishi’s Song)

Hare Butai (The Biggest Moment)

Yozora (Night Sky)

Mtteiru Onna (The Waiting Lady)

Yoake no Kaze (Dawn Wind)

Encore

Sukiyaki Song

 – Stay tuned for JERO’s exclusive interview by Harlem2Nippon!!

Hip Hop Dance Nation 1 – ヒップホップダンス天国 Part. 1

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Cover of ” Time Out” Magazine

Anthony “Antboogie” Rue

Hip Hop Star, Anthony “Antboogie” Rue who hails from the inner city streets of Brooklyn, has been dancing and choreographing professionally for over 10 years talks to Harlem2Nippon abut his beginnings as a commercial dancer with Laurie Ann Gibson, his crew, The Amount Boyz.

H2N: Where are your originally from and how did you get into dancing?

AA: I grew up in Crown Heights, Brooklyn. I wanted to be like Mike….- Jackson, king of pop like so many children of the 1980s. He brought dance as a whole to a bigger level. We formed a dance group called The Amount Boyz around 1996 at Fiorello H. La Guardia high school, “The Fame School,” and continued to expand from there. Nicki Minaj went to the school with me and she was in my graduating class and Kelis was 3 years ahead of me, Marlon Wayans, Wesley Snipes, Al Pacino……there’s a lot of people.

H2N: How did you get started as a professional dancer?

AA: My mentor was Laurie Ann Gibson. I learned everything from her. I was about 16 or 17 and me and my group went to audition for her. At the time she was Sean “P. Diddy” Combs personal choreographer and saw the Amount Boyz as a perfect fit for his then artist, Jerome. We danced for his music video, “Dear Yvette.” That was the coolest thing ‘cause we were still in high school when that was happening. I was graduated from high school in 2000. I told myself if I don’t have a gig before I graduate then I go to college but  the gig started to popping up.

H2N: Who did you work with after that?

AA: 3 Little Women, pop young cute girls, from then Mario and we did a couple movies and we did Omarion.

H2N: You have been in Japan with Omarion.

AA: Yes. When I went to Japan it was crazy. You guys have magazines dancers in it, you got all kinds of shows. It was like wow! It was so crazy how much the market is different for Japanese culture with dancing than it is for American.

H2N: You have also joined Madonna’s “Sticky and Sweet Tour” in 2008. How was working with the Queen of Pop?

AA: It was a great experience. She does a lot of different stuff. It’s called a free movement. They take a lot of influences from different styles of dance. The previous tour was that they are doing a footwork, house, B-boys, and just strictly poppers Hamutsun Serve, you guys know Hamutsun Serve, Japanese band that went on tour with Madonna’s 1st leg.

Broadway Dance Center Entrance

H2N: Anthony, tell us about your teaching career. You teach Hip Hop class at Broadway Dance Center every Sunday.

AA: Well, I’m teaching the Amount Boyz style ‘cause technically Hip Hop is a  different thing. But how the studio is marketed to the public I intended to follow .It’s so funny. I used to like to teach only advanced class but after I worked with kids last year I have more patience. As long as they are having fun in a class room it’s all fun. I get a lot of international students but the most of them are Japanese. Japanese students show a lot of support and as far as Hip Hop they are strong. Japanese students are more disciplined. I have noticed that Japanese rhythm connects to Hip Hop rhythms very easily. I would put Japanese as either 1 or 2 far as a culture that catches on to the rhythm. Some people in my class don’t even speak English but you wouldn’t be able to tell by from watching them. I talk a lot during class and I know they don’t understand everything I’m saying, they just watching and they pick up off the energy.

H2N: What is your current project?

AA:  I’m starting Urban Dance League, a dance program. It’s a sport league for dancers. Please check out our website.

http://urbandanceleague.com/

Harlem R&B Chart – May, 2012

Harlem R&B Chart – May, 2012

1 Share My Love                 R. Kelly

2 Why                                  Mary J. Blige feat/Rick Ross

3 Sign My Name              J. Holiday

4 Go Get It                         Mary Mary

5 Lazy Love                        Ne-Yo

6 Next Breath                   Tank

7 Put It Down                   Brandy feat/Chris Brown

8 Heart Attack                  Trey Songz

9 Nobody’s Perfect          J Cole feat/Missy Elliott

10 Climax                           Usher