Category Archives: Uncategorized

グラミー受賞式シメはビヨンセ、ジョン・レジェンド&コモンの映画「セルマ」トリビュートBeyonce, John Legend and Common wraps Grammy Ceremony with “Selma” Tribute

grammy2015
今年のグラミー賞授賞式、H2N的な一方的視点でふりかえってみると・・・・

パフォーマンスのみどころ:

スティービー・ワンダーのトリビュートで、Usherが”If It’s Magicを歌い、途中からスティービーがハーモニカで登場した場面。

ファレルの”Happy”暗くて重〜いイントロから始まり、本人は「グランド・ブタペスト・ホテル」のロビーボーイのコスチューム(でもやはり半ズボン)で登場、ゴスペルシンガーとヒップホップダンサーとクラシック・ピアニストが共演というかなり謎なパフォーマンス。

主要3部門(ソング、レコード&新人賞)さらったサム・スミス(アデルの再来か?)とヒット曲Stay With Meを歌ったMary J Blige。

最後にビヨンセが映画「セルマ」のサントラにも入っているゴスペルの名曲Precious Lordを歌い、やはりサントラのオリジナル曲Gloryをジョン・レジェンドとコモンがパフォーマンスして終わり。MLK&ブラックヒストリー・マンスに敬意を払って終了。

今年はとにかく例年以上にパフォーマンスを大量にぶちこんだしわよせか、ヒップホップ系の賞はオンエアでは一つも授賞場面がなかったし、R&Bもアルバム部門のみ(もちろんビヨンセが授賞)。授賞コメントも史上最短。
まあよく2時間半のオンエアにあれだけつめこんで放送したなーと感心するくらい。

ちなみにファレルとビヨンセのパフォーマンスで、バックダンサーが両手を上げる振り付け、これは去年起こった警官による黒人男性の射殺事件に対する静かな抗議ではという憶測も流れていたりする・・・・
http://video.vulture.com/video/Beyonce-John-Legend-and-Common

とり急ぎR&Bヒップホップ系の受賞者をリストアップすると、

Best R&B Performance
Drunk In Love-Beyonce feat. Jay-Z
Best Traditional R&B Performance
Jesus Children – Robert Glasper Experiment
Best R&B Song
Drunk In Love-Beyonce feat. Jay-Z
Best Urban Contemporary Album
Girl – Pharrell Williams
Best R&B Album
Love, Marriage and Divorce
Toni Braxton&Baby Face
Best Rap Performance
I – Kendrick Lamar
Best Rap/Song Collaboration
Monster – Eminem feat. Rihanna
Best Rap Song
I – Kendrick Lamar
Best Rap Album
Marshall Mathers LP2

(シェリーめぐみ)

DJ June New York Club Chartニューヨーク・クラブチャート – February 3, 2015

Lil Jon
Знаменитый японский женщин-ди-джеем в Нью-Йорке

1. Snap Yo Fingers – Lil Jon

2006年リリースです。私は「Beat Street」と言う、ブルックリンにあったレコード屋の店員時代、真っ盛りの時期でした。これ ぜーったい今でも毎回かける、必須アイテムです。白人も黒人もアジア人も絶対 全員大喜びですね。ありがたい一曲です。Lil Jonは今でも エレクトロの曲で Yeah!!って良いながら、ハイプ役で大人気ですから…息長いですね!Lil Jonさん、DJとしても昔から活躍中。レゲエの大ヒット 必須アイテム、CapletonのTour リミックスがあるんですが(Slick Rickの Children’s Storyネタ) これは昔 Lil Jonがプロデュースしたもの。彼がリミックス作ったの DJでも知らない人いるかもです。

This song was released in 2006 while I was working at Beat Street, the record store in Brooklyn. This is one of my must item records and every time I play white, black Asian and all the people would scream. Lil Jon now makes electro songs and still on the top of the game! He is also a great DJ. Did you know the famous remix of “Tour” sampled Slick Rick’s Children’s Story by Capleton was produced by him? Even some djs don’t.

2.  It’s Goin Down – Yung Joc

こちらも2006年リリース。Snap…と甲乙つけがたいクランクミュージック。2曲絶対からめてかけます。これも大盛り上がり間違いなしの ありがたい曲。あれからヒットなかった Yung Jocさん、今はアメリカのリアリティー・ショー・スターになってます。でも曲は出してるのかも知れないです(笑)

Also released in 2006 and succeeded by “Snap Yo Fingers” Young Joc’s “It’s Goin Down” is the classic crunk music. Playing both songs back to back is the key to success for the dance floor. Just in case if you are wondering what happened to Joc after that one hit, don’t worry. He became a reality TV show star!

3. Ignition – R. Kelly

2003年にシングルリリースされた、もうかなり前のR. Kellyのヒット曲のひとつ。私的にはR. Kellyと言えば 1st や 2nd アルバムあたり、Bump N Grind や You Remind Me of Something…の初期の頃、そして 2002年の 同曲含む アルバム Chocolate Factory からは Step In The Name Of Love  (<– 黒人さん達がこれかけたら絶対おどってくれる)なんかが代表作って気がするんですが、なぜか 今も白人の若いお姉ちゃんたちから、しかも ダンスミュージックもかかるパーティーでリクエスト多いのが…Ignition!! なぜなのか分からないです。ヒットしたしいい曲ですが、てっきり Twerkとか Calvin Harrisとかかけて!って言ってくるのかなって構えてたら、いきなり、これを良くリクエストされる。なぜそのような若い白人のお姉ちゃん達が この曲をリクエストしてくるのかが 私にとって七不思議の一つ。バウンス系なら Jay Z – Big Pimpinとかあるのに、なんでいきなりこれなのか。しかもR. Kelly。解明したい謎です。

When you think of R. Kelly most of people think about his early hits like “Bump N Grind” from his first album, “You Remind Me of Something” from his second, or a big dance number “Step in the Name of Love” from Chocolate Factory album, but some reason young white girls on the dance floor want to hear “Ignition” from the same Chocolate Factory album. Why? I’m not saying it’s not a good song, actually it’s a great song, but why? To me it’s one of the Seven Wonders. You can dance to twerk or Calvin Harris or if you want something bouncy Jay-Z’s “Big Pimpin” might be your choice. Why young white chicks request “Ignition” by R. Kelly? Somebody please tell me.

June2014

DJ June This Week’s Event

Tues – Toca Tuesdays w/ Tony Touch & @ The Delancey (168 Delancey St NY) 10pm~

Thurs – @ Slate (54 W 21 street) 6pm~11pm

Thurs – @ bOb (235 Eldridge Street NY) 11pm~

Fri – @ Providence AC inside the Tropicana Hotel 11pm~

Sat – @ Providence AC10pm~

 

D’Angelo announces The Second Coming Tour

D'Angelo

日本語

D’Angelo and the Vanguard will spotlight their Black Messiah in greater detail when they perform at Harlem’s Apollo Theater on February 7th, their only U.S. date before embarking on a month-long trek of Europe.

D'Angelo - Black MessiahImmediately following the Apollo gig, D’Angelo will head to Europe for “Second Coming Tour” centers mostly around shows in Germany, with additional dates scheduled in the UK, Sweden, and Switzerland. According to a press release, the shows will see D’Angelo and his band The Vanguard “combine many popular hits with new songs and fresh interpretations of covers.”

 D’Angelo 2015 Second Coming Tour Dates:

02/11 – Zurich, CH @ Volkshaus Zurich

02/12 – Frankfurt, DE @ Hugenottenhalle

02/14 – Berlin, DE @ Halle

02/16 – Paris, FR @ Palais Des Congres

02/17 – Birmingham, UK @ O2 Academy Birmingham

02/18 – Manchester, UK @ Apollo

02/20 – London, UK @ Apollo

02/24 – Hamburg, DE @ Docks

02/27 – Oslo, NO @ Sentrum Scene

02/28 – Stockholm, SE @ Annexet

03/02 – Amsterdam, NL @ Paradiso

03/06 – Koln, DE @ Tanzbrunnen

03/07 – Brussels, BE @ Forest National

 

 

 

 

 

Whitney Biopic Directed by Angela Bassett on Lifetime Tonight

whitney17f-2-web

日本語

Angela Bassett has taken a brief pause in her acting career steps behind the camera to direct biopic ‘Whitney’ a movie that airs Saturday (Jan. 17) at 8 p.m. on Lifetime.

Cissy Houston, Whitney’s mother publicly spoke out the film was being made against the family’s objections. “No one connected with this movie knew Whitney or anything about her relationship with Bobby,” she said. “We are exhausted by the continuing misinformation and comments offered by people who did not know her. Please please let her rest.”

whitney-houston-bobby-brown-at-vh1-divas-duets-post-concert-party-in-2003“We all know how it ends,” Bassett says. “And we all make mistakes. Most of us get to make them in private. Whitney and Bobby had to make them in public.”

“We’re looking at a five-year moment in time,” Bassett says — the late ’80s and early ’90s, before things spun way out of control.

Houston and Brown finally divorced in 2006 and Houston died Feb. 11, 2012, at the age of 48.

Even as Houston was achieving professional success no one can imagine, even when the country saw her as America’s Sweetheart, a golden voice inside a calm, beautiful, poised and elegant woman, there was trouble in paradise.

There were drugs. Lots of drugs, Houston later admitted. In the film, she’s having fun with cocaine back when Bobby was still saying no.

Their relationship eventually slid into mistrust and physical abuse, on both sides. Houston’s short run on Bobby’s reality TV show at times portrayed her as snappish and impatient, with a mouth like a sailor.

It was those small personal moments — some surprising and many charming — with which Bassett says she tried to fill out the picture.

Whiteney“Whitney” isn’t based on any one source, and it wasn’t made with the cooperation of any key people in Houston’s life. Nor does it use Houston’s own voice, though it features four of her songs: “The Greatest Love of All,” “I’m Your Baby Tonight,” “I’m Every Woman” and “I Will Always Love You.”

While Houston is played by Yaya DaCosta, the songs are sung by Deborah Cox. Cox also sings bits of a few other songs, mostly gospel.

Bassett says her goal with the movie was to “play it down the middle, just try to tell the story as factually as we could.”

Bassett says she also drew extensively on the autobiography of Clive Davis, the music mogul who signed Houston and set much of her musical direction.

Bassett is well known herself for playing Tina Turner, another internationally famous singer who had serious issues in her marriage.

“What you need to remember about Whitney is that no one had the success she did. We make that point right at the beginning. In four years she had seven straight No. 1 hits and sold 30 million albums. That’s more than the Beatles or the Rolling Stones. In four years. And she was 23 years old. How do you deal with that? How does anyone deal with that?

“I hope we’ve shown that we need to have compassion for the journey she and Bobby were on — and the choices they made.”