Tag Archives: music

D’Angelo to Perform at 2012 BET Awards

D’Angelo at Bonnaroo’s Superjam

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The soul crooner who kept the ladies sweatin’ through the 90’s is set to make a triumphant return to music at the BET Awards 2012!

BET has announced that R&B singer D’Angelo will perform at the 2012 BET Awards, marking his first televised performance in a dozen years. After the success of his 2000 album Voodoo, D’Angelo stepped away from music, but the singer has been rejuvenated lately, performing at Bonnaroo’s Superjam and lining up performances at the Essence Music Festival in early July and the Made in America event in September. Recently, Questlove revealed D’Angelo has recorded around 30 new tracks over the past few years, expressing hope that the singer will release a new album soon.

Usher, Nicki Minaj, Chris Brown and 2 Chainz are among the performers already announced for the BET Awards. The awards show will air on July 1st, with Kanye West leading the way with seven nominations.

June 10, 2012: Surprise Homecoming

Just this month, D’Angelo warmed up for his U.S. tour with first stateside performance in over a decade at the music fest, Bonnarroo. Musically directed by Questlove, an awesome collection of Quest’s friends played alongside D’Angelo including, Time guitarist Jesse Johnson and Pino Palladino, bassist for the Who.  This time, he didn’t perform any of his signature hits but he did perform some classics like Led Zeppelin’s “What Is and What Should Never Be” and the Beatles’ “She Came in Through the Bathroom Window.” 

SummerStage 2012 Schedule

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SummerStage brings over 100 free performances to eighteen parks throughout the five boroughs.

 R&B duo Groove Theory has released only one album, 1995’s silky, self-titled chart topper. Both members, Amel Larrieux and Bryce Wilson, went on to solo careers, each notable in its own right, but never matching the power of hits like “Tell Me” and “Baby Luv.” Groove Theory, Soulive, Rioq & Raz with Strings (Black Thought & Rahzel with Strings) performed at Central park SummerStage on Father’s Day. The Roots drum whiz Questlove deejayed between sets. 

Free Concert in June 2012 

Brand Nubian

Brand Nubian

Wednesday, June 20 7 – 9 pm
Old School Hip Hop
Brand Nubian/Game Rebellion

@ Red hook Park, Brooklyn 

Free Concert in July 2012

 Tuesday, July 10 7 – 9 pm
Old School Hip Hop
Chubb Rock/Kurtis Blow/DJ Bent Roc

@ Crotona Park, Bronx

Sunday, July 15 7 – 9 pm
Oldies Soul
Blue Magic/Felix Hernandez’s Rhythm Revue

@ Crotona Park, Bronx


Tuesday, July 17 7 – 9 pm

Oldies Doo Wop/Soul
Chi-Lites/Felix Hernandez’s Rhythm Revue

@ Queensbridge Park, Queens

Big Daddy Kane

Wednesday, July 18 7 – 9 pm
Old School Hip Hop
Big Daddy Kane/Marley Marl

@ Queensbridge Park, Queens

Thursday, July 19 7 – 9 pm
Oldies Soul
War/Felix Hernandez’s Rhythm Revue

@ Queensbridge Park, Queens

Tuesday, July 24 7 – 9 pm
Old School Hip Hop/R&B
Full Force/Force MD’s Johnny Kemp/Jeff Redd/Meli’Sa Morgan

@ Springfield Park, Queens

Tamia

Thursday, July 26 7 – 9 pm
R&B Pop
Tamia

@ Springfield Park, Queens

Tuesday, July 31 7 – 9 pm
Old School Hip Hop
Keith Murray/Beatnuts

@ Tappen Park, Staten Island

Free Concert in August 2012

Wednesday, August 1 7 – 9 pm
Old School Hip Hop
Rob Base

@ Tappen Park, Staten Island

Thursday, August 2, 7 – 9 pm
R&B Disco
GQ/Felix Hernandez’s Rhythm Revue

@ Tappen Park, Staten Island

Sunday, August 5,  4 – 8 pm
Gospel
Hezekiah Walker & Friends/Vashawn Mitchell/Le’Andria Johnson/James Fortune & F.I.Y.A.

@ Central Park, Manhattan

Thursday, August 9 7 – 9 pm
R&B Hip Hop
Jon B/Jagged Edge

@ Marcus Garvey Park, Manhattan

Eric Benet

Sunday, August 12 4 – 8 pm
R&B
Eric Benet & More

@ Central Park, Manhattan

Tuesday, August 14 7 – 10 pm
Neo Soul
Goapele/Yolanda Zama/Screening: “Come Back Africa”

@ Central Park, Manhattan

Pete Rock vs. DJ Premier

Wednesday, August 22 7 – 9 pm
Old School Hip Hop DJ Play
Pete Rock vs. DJ Premier

@ East River Park, Manhattan

For more info; visit summerstage.org

H2N Exclusive!! Tokyo-based Enka superstar JERO New York Interview

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H2N Exclusive! JERO New York Interview

Before the concert, Jero granted an interview to Harlem2Nippon. When asked, the Pittsburgh native told us that he prefers to talk in Nihongo.

Jerome White Jr. a.k.a. Jero is a handsome, polite, young African-American dresses in hip-hop outfits and sings in fluent Japanese. This is the story of how he became a nationally recognized Japanese celebrity beyond the world of music.

(Original interview was conducted in Japanese.)

H2N: You were born in Pittsburgh, Pennsylvania, the home of the famous African-American playwright August Wilson. Are you familiar with him?

Jero: Yes. I learned about him in school.

H2N: Your Japanese grandmother met your grandfather, an African-American U.S. Army soldier in Japan at the end of World War II. Then they married, had adaughter, Harumi who is your mother and eventually moved to your grandfather’s hometown, Pittsburgh. Were you aware of your Japanese heritage growing up?

Jero: Yes. I am proud of my Japanese heritage, even though it was only a quarter of who I am – it’s still apart of who I am, so I was always embraced it. As a boy, I used to go to my grandmother’s house to watch videotaped Enka performances from her native country and practice singing along. I learned her favorite song called “Echigo Jishi no Uta” by Enka legend, Misora Hibari and sang for her. She was so pleased.

H2N: Were you exposed to different kinds of music other than just Enka?

Jero: Of course, growing up in Pittsburgh, I also listened to a lot of R&B and hip-hop. One of my favorite artists is Luther Vandross.

H2N: When was the first time you realized that you could sing?

Jero: I never thought I could sing. I just want to become an Enka singer someday.

H2N: You were also into dancing?

Jero: Yes. I was active in the Black Dance Workshop and led my own choreography group in college.

H2N: In 2008 your debut single, “Umiyuki(Ocean Snow),” entered at No. 4 on the Oricon national pop chart in a week – the best performance ever for a debut Enka song. Music Critics say you have single-handedly reignited Japan’s interest in this traditional post-war music style. Did you feel like, “Yes, I’m gonna conquer the Enka world”?

Jero: No, not at all. I was singing in Karaoke contests until being contacted by Victor Entertainment. They were interested in me as a potential recording artist but also felt I needed continued vocal training.

H2N: Enka lyrics are deeply sentimental, often focusing on hardship, lost love and resilience and your amazing command of the language made it possible to express its emotion the way it is. What did you do to achieve this?

Jero: Thank you. I tried to listen to as many traditional Enka songs as possible. I dissected each song and tried to sing the way the original was sung. I always think of this music as the Japanese version of the blues. I could hear the way the music sounded so sad and emotional. You can see many Enka singers are so completely into their music. They are crying while singing onstage. That’s why I love Enka so much.

H2N: As an African-American, do you feel like you’re some kind of ambassador of U.S. culture in Japan, or do you feel these days like you’re bringing more Japanese culture back home through these international tours?

Jero: I definitely feel more of an ambassador of Japanese music to the U.S. I am constantly telling people what Enka is and how I came about singing it to friends and family. The funny thing is that I don’t get tired of it.

H2N: Our website, Harlem2Nippon tries to unite Japan (Nippon) and Harlem through extensive coverage of African-American music, art, dance, entertainment, culture and lifestyle. Your success in Japan is inspiring especially for young people in urban communities. How do you think you can help them?

Jero: I just would like them to know that I exist. Of course I want everybody to listen to my music but I am just letting them know what I did. My accomplishments as an Enka singer in Japan is enough.

H2N: You are a pioneer. You are the first American Enka singer who has become the first major performer to come from outside of Japan and achieve stardom.

Jero: No. Not really.

H2N: What other projects do you have in the works?

Jero: I put out a series of cover albums every year. Currently I’m working on “Jidai Geki Covers” which are scheduled to be released on July 4th. Last year, I had a live house tour at smaller venues featuring an all-genre theme. R&B, J-pop, jazz and Enka. Because of a lot of positive feedback, I will be doing another tour with the same theme. It gives my current fans and hopefully new ones an opportunity to hear me sing in English and other genres. I am also participating in the musical Tick, Tick…Boom! The musical was written by the creator of “Rent,”Jonathan Larson. The musical will feature two other Japanese cast members, starting in September.

H2N: Thank you.

NYでクラブDJになるには!? 第一回DJセミナー、シリーズ最終日は15日(火)

DJセミナーで自らの体験を語るDJ June

Harlem2Nippon Presents:
ニューヨーク 
DJ Seminar
By: DJ Pretty June

入門コース
1

ニューヨークでクラブDJになるには!? 
日本とニューヨークのブラック・コミュニティーをつなぐウェブサイト、「ハーレム2ニッポン」主催によるDJセミナーを開催致します。これからDJを目指す人、DJ修行中の人たちのための体験セミナーです。初回はオールド・スクール・ヒップホップの特集です。
トップ日本人女性DJがその成功の秘密を教えるDJセミナーは間もなく最終日。

日時:  コースC 2012515日(火)夜9時スタート
場所:
  Club Sutra – 1st Avenue at 2nd Street, New York City MAP
講師:
  DJ Pretty June (日本出身のヒップホップDJ
ゲスト
DJ   Tony Touch またはニューヨークのトップDJ
参加費:
     $30 (クラブ入場料込み
お支払いは当日現金にてお願いします。 21際未満の方はご遠慮下さい。キャンセルしたい場合は24時間前までにお願いします。キャンセル料等は一切ありませんので気軽にお申し込み下さい。

申し込みはメールで:
harlem2nippon@gmail.com

セミナー内容:

司会:伊藤 弥住子 (NY在住ジャーナリスト)

DJは実はとても日本人に向いているのです!!(コツコツ、探究心が旺盛、おタク度が高い、しかも言葉が通じなくてもOK)

また、技術の発達にともない、従来のターンテーブルを操る必要もなく、ボタン操作のみになったことがさらに日本人の活躍の場として注目されるようになりました。重いレコードのクレートを運ぶ必要もなくなったので女性にも最適!

そんな器用な日本人ですがDJとして成功できない人もいます。何が原因なのでしょうか。このセミナーではそういった成功の秘訣もこっそりお教えいたします。

1)ニューヨークと日本のクラブの違い

オーディエンスはこれだけ違う!

NYの客は踊りに来る人が多くリズムを大切にします。クラブDJは状況に合わせて「流れを作ること」を求められます。空気を読むことが重要です。ヒップホップ・パーティーは歌詞を聞いて楽しむ人が多いのでリリック、サビが重要な鍵となります!歌詞に合わせて効果的な選曲をしましょう。

2)自分だけのプレイ・スタイル、プレゼンテーションの見つけ方

プレイ・スタイルを確立。どうやって音楽を集めるか?どんな音源をどれだけ持っているかが勝負!トモダチのDJからどんどん音をもらいましょう。

(DJはこだわり!)7インチ、カセットテープ、自分にしかない音源を揃えるという手もアリ。

ファッションなどのプレゼンテーション、見せ方の工夫をする。プレイ中にハイプアップするためのMCを入れるのもよい。

3)インダストリー(業界)に入っていく方法

待っていても何も起こりません。まず、ネットワークを作りましょう。デモ・テープ、名刺、フライヤーといったプロモ・グッズを作ることも大切ですが、何よりコネがものをいう世界です。ここでは簡単にインダストリーに入るためのコツをお話します。(この続きは中級編で!)

4DJ Pretty June

ニューヨークのクラブではほとんどのところがセラートを使用しています。現場で活躍する日本人のDJプリティ・ジューンが最新のトレンドや機材についての説明をしてくれます。さらに、DJスキル・デモンストレーションも披露してくれます。今夜のお客さんにあわせてDJジューンが用意してくれた曲を紹介。フロアの雰囲気によって随時変えていきます。

5Q&A

質疑応答コーナー。どんな質問でもかまいません。知りたいことがあればどんどん聞いて下さい。事前にメールによる質問も受け付けますのでお問い合わせ下さい。

DJ June プロフィール

DJカオリがニューヨークから日本にその活動拠点を移したとほぼ同時、2000年よりニューヨークのブルックリンに移住。当時、ヒップホップやレゲエのDJのレコード仕入れのメイン・スポット、「ビート・ストリート」勤務。365日出勤して音楽を覚えることに専念。その熱意をかわれてDJスクラッチに認められクラブDJとして始動。現在は週にパーティー5本のレギュラーをかかえるほどの売れっ子です。これまで一緒にプレイしたDJはQティップ、DJゴールドフィンガー、エリック・サーモン、ジャジー・ジェフ、グランドマスター・フラッシュ、キッド・カプリなど、ヒップホップ界で活躍しているほとんどのDJと仕事経験があります。セクシーでお洒落なスタイルで目立っている a.k.a.プリティー・ジューンですが、彼女の本格的なDJぶりは仲間の間でも定評があります。DJスクラッチのラジオでもレギュラーで、毎週(水)7pm−8pm、「Tokyo Drift」というミックス番組を担当しています。

Sutra Lounge (キャパシティ250)19 First Avenue between 1st & 2nd Avenue, New York City「クラブ・スートラ」の大ヒットパーティーが毎週火曜日の「Toca Tuesday」です。レジデントDJは日本が誇るDJジューン、マンハッタンを中心にヒップホップ、レゲエ、R&B, ハウスなどパーティーの盛り上げ役を務めています。トニー・タッチとタッグを組んだこの「トーカ・チューズデー」には毎週オールド・スクール関係の友達が集まります。ゲストDJもジャジー・ジェフ、Qティップ、DJプレミア、クール・ハーク、DJスクラッチ、イーヴルD、DJスピナなど日本のヒップホップ・ファンに親しまれているベテランばかり。タリブ・クウェリ、イーヴル・D、ブランド・ヌビアンやウータン・クランのメンバー達もよく顔を出します。