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SummerStage 2012 Schedule

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SummerStage brings over 100 free performances to eighteen parks throughout the five boroughs.

 R&B duo Groove Theory has released only one album, 1995’s silky, self-titled chart topper. Both members, Amel Larrieux and Bryce Wilson, went on to solo careers, each notable in its own right, but never matching the power of hits like “Tell Me” and “Baby Luv.” Groove Theory, Soulive, Rioq & Raz with Strings (Black Thought & Rahzel with Strings) performed at Central park SummerStage on Father’s Day. The Roots drum whiz Questlove deejayed between sets. 

Free Concert in June 2012 

Brand Nubian

Brand Nubian

Wednesday, June 20 7 – 9 pm
Old School Hip Hop
Brand Nubian/Game Rebellion

@ Red hook Park, Brooklyn 

Free Concert in July 2012

 Tuesday, July 10 7 – 9 pm
Old School Hip Hop
Chubb Rock/Kurtis Blow/DJ Bent Roc

@ Crotona Park, Bronx

Sunday, July 15 7 – 9 pm
Oldies Soul
Blue Magic/Felix Hernandez’s Rhythm Revue

@ Crotona Park, Bronx


Tuesday, July 17 7 – 9 pm

Oldies Doo Wop/Soul
Chi-Lites/Felix Hernandez’s Rhythm Revue

@ Queensbridge Park, Queens

Big Daddy Kane

Wednesday, July 18 7 – 9 pm
Old School Hip Hop
Big Daddy Kane/Marley Marl

@ Queensbridge Park, Queens

Thursday, July 19 7 – 9 pm
Oldies Soul
War/Felix Hernandez’s Rhythm Revue

@ Queensbridge Park, Queens

Tuesday, July 24 7 – 9 pm
Old School Hip Hop/R&B
Full Force/Force MD’s Johnny Kemp/Jeff Redd/Meli’Sa Morgan

@ Springfield Park, Queens

Tamia

Thursday, July 26 7 – 9 pm
R&B Pop
Tamia

@ Springfield Park, Queens

Tuesday, July 31 7 – 9 pm
Old School Hip Hop
Keith Murray/Beatnuts

@ Tappen Park, Staten Island

Free Concert in August 2012

Wednesday, August 1 7 – 9 pm
Old School Hip Hop
Rob Base

@ Tappen Park, Staten Island

Thursday, August 2, 7 – 9 pm
R&B Disco
GQ/Felix Hernandez’s Rhythm Revue

@ Tappen Park, Staten Island

Sunday, August 5,  4 – 8 pm
Gospel
Hezekiah Walker & Friends/Vashawn Mitchell/Le’Andria Johnson/James Fortune & F.I.Y.A.

@ Central Park, Manhattan

Thursday, August 9 7 – 9 pm
R&B Hip Hop
Jon B/Jagged Edge

@ Marcus Garvey Park, Manhattan

Eric Benet

Sunday, August 12 4 – 8 pm
R&B
Eric Benet & More

@ Central Park, Manhattan

Tuesday, August 14 7 – 10 pm
Neo Soul
Goapele/Yolanda Zama/Screening: “Come Back Africa”

@ Central Park, Manhattan

Pete Rock vs. DJ Premier

Wednesday, August 22 7 – 9 pm
Old School Hip Hop DJ Play
Pete Rock vs. DJ Premier

@ East River Park, Manhattan

For more info; visit summerstage.org

H2N Exclusive!! Tokyo-based Enka superstar JERO New York Interview

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H2N Exclusive! JERO New York Interview

Before the concert, Jero granted an interview to Harlem2Nippon. When asked, the Pittsburgh native told us that he prefers to talk in Nihongo.

Jerome White Jr. a.k.a. Jero is a handsome, polite, young African-American dresses in hip-hop outfits and sings in fluent Japanese. This is the story of how he became a nationally recognized Japanese celebrity beyond the world of music.

(Original interview was conducted in Japanese.)

H2N: You were born in Pittsburgh, Pennsylvania, the home of the famous African-American playwright August Wilson. Are you familiar with him?

Jero: Yes. I learned about him in school.

H2N: Your Japanese grandmother met your grandfather, an African-American U.S. Army soldier in Japan at the end of World War II. Then they married, had adaughter, Harumi who is your mother and eventually moved to your grandfather’s hometown, Pittsburgh. Were you aware of your Japanese heritage growing up?

Jero: Yes. I am proud of my Japanese heritage, even though it was only a quarter of who I am – it’s still apart of who I am, so I was always embraced it. As a boy, I used to go to my grandmother’s house to watch videotaped Enka performances from her native country and practice singing along. I learned her favorite song called “Echigo Jishi no Uta” by Enka legend, Misora Hibari and sang for her. She was so pleased.

H2N: Were you exposed to different kinds of music other than just Enka?

Jero: Of course, growing up in Pittsburgh, I also listened to a lot of R&B and hip-hop. One of my favorite artists is Luther Vandross.

H2N: When was the first time you realized that you could sing?

Jero: I never thought I could sing. I just want to become an Enka singer someday.

H2N: You were also into dancing?

Jero: Yes. I was active in the Black Dance Workshop and led my own choreography group in college.

H2N: In 2008 your debut single, “Umiyuki(Ocean Snow),” entered at No. 4 on the Oricon national pop chart in a week – the best performance ever for a debut Enka song. Music Critics say you have single-handedly reignited Japan’s interest in this traditional post-war music style. Did you feel like, “Yes, I’m gonna conquer the Enka world”?

Jero: No, not at all. I was singing in Karaoke contests until being contacted by Victor Entertainment. They were interested in me as a potential recording artist but also felt I needed continued vocal training.

H2N: Enka lyrics are deeply sentimental, often focusing on hardship, lost love and resilience and your amazing command of the language made it possible to express its emotion the way it is. What did you do to achieve this?

Jero: Thank you. I tried to listen to as many traditional Enka songs as possible. I dissected each song and tried to sing the way the original was sung. I always think of this music as the Japanese version of the blues. I could hear the way the music sounded so sad and emotional. You can see many Enka singers are so completely into their music. They are crying while singing onstage. That’s why I love Enka so much.

H2N: As an African-American, do you feel like you’re some kind of ambassador of U.S. culture in Japan, or do you feel these days like you’re bringing more Japanese culture back home through these international tours?

Jero: I definitely feel more of an ambassador of Japanese music to the U.S. I am constantly telling people what Enka is and how I came about singing it to friends and family. The funny thing is that I don’t get tired of it.

H2N: Our website, Harlem2Nippon tries to unite Japan (Nippon) and Harlem through extensive coverage of African-American music, art, dance, entertainment, culture and lifestyle. Your success in Japan is inspiring especially for young people in urban communities. How do you think you can help them?

Jero: I just would like them to know that I exist. Of course I want everybody to listen to my music but I am just letting them know what I did. My accomplishments as an Enka singer in Japan is enough.

H2N: You are a pioneer. You are the first American Enka singer who has become the first major performer to come from outside of Japan and achieve stardom.

Jero: No. Not really.

H2N: What other projects do you have in the works?

Jero: I put out a series of cover albums every year. Currently I’m working on “Jidai Geki Covers” which are scheduled to be released on July 4th. Last year, I had a live house tour at smaller venues featuring an all-genre theme. R&B, J-pop, jazz and Enka. Because of a lot of positive feedback, I will be doing another tour with the same theme. It gives my current fans and hopefully new ones an opportunity to hear me sing in English and other genres. I am also participating in the musical Tick, Tick…Boom! The musical was written by the creator of “Rent,”Jonathan Larson. The musical will feature two other Japanese cast members, starting in September.

H2N: Thank you.

Pittsburgh-native, Tokyo-based Enka superstar JERO made his New York debut at Japan Society

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Pittsburgh-native, Tokyo-based Enka superstar JERO made his New York debut at Japan Society!

Jero (Jerome Charles White, Jr.) made his New York City convert debut on Saturday June 9th before a sold-out audience at Japan Society in Manhattan. He the first African-American Enka singer in Japan’s history, having been inspired into the genre by his Japanese grandmother. It has been said Jero has single-handedly reignited Japan’s interest in this traditional post-war music style known as Enka.

Jero appeared on stage wearing a blue suit featuring shiny white labels that reminded me of the lavish costumes worn by one of his favorite artists, the late American soul star Luther Vandross. He peerformed his own original songs as well as Enka classics made popular by  Misora Hibari and Itsuki Hiroshi among others.

Following the concert, fans enjoyed a rare meet-and-greet opportunity with Jero as he shook hands and autographed CDs. All proceeds from the sales will be donated to The Japan Earthquake Relief Fund established by Japan Society in the wake of 3/11.

Set List

Ymiyuki (Ocean Snow)

Hisame (Freezing Rain)

Yukiguni (Snow Country)

Echigo Jishi no Uta (Echigo Jishi’s Song)

Hare Butai (The Biggest Moment)

Yozora (Night Sky)

Mtteiru Onna (The Waiting Lady)

Yoake no Kaze (Dawn Wind)

Encore

Sukiyaki Song

 – Stay tuned for JERO’s exclusive interview by Harlem2Nippon!!

Hip Hop Dance Nation 1 – ヒップホップ・ダンス天国 Part. 1

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Antboogie & Madonna

日本のダンス・ブームに触発されたのか、世界中の若者がダンスに夢中になっています。ストリート・ダンスの本家本元アメリカでもダンサー志願者が殺到し、「So You Think You Can Dance」「America’s Best Dance Crew」「Born To Dance」「Dancing With The Stars」といったダンス勝ち抜きTV番組が続出、世間を賑わせています。その影響で、ヒップホップ・ダンサー達が大注目され、ミュージック・ビデオ、映画、パフォーマンス、イヴェント等にひっぱりだこ、空前の「ダンス天国」の様相を呈しています。

「ハーレム2ニッポン」では、読者のみなさんのご要望(?)にお応えし、シリーズでヒップホップ・ダンサーやダンス教室の情報をレポートしていきたいと思います。

Anthony “Antboogie” Rue
アンソニー・アントブギー・ルー

第一回目は、NYの有名ダンス学校、「ブロードウェイ・ダンス・センター(BDC)」で毎週日曜日の夕方ヒップホップ・ダンスのクラスを教えている、「アントブギー」ことアンソニーを訪ねて話を聞きました。

H2N:         まず、出身地と略歴を教えて下さい。プロのダンサーになろうと思ったきっかけは?

AA: ブルックリン育ち、小さい頃からダンスが好きで、9歳くらいからダンス学校に通ってた。きっかけはマイケル・ジャクソン。80年代のアメリカで育ってマイケル・ジャクソンの影響を受けてない子供なんていないと思う。もともとダンスは大好きだったけど、マイケルの出現は絶大だったね。 NYの名門高校、ラガーディア・ハイスクール(Fiorello H. LaGuardia High school of Music & Art and Performing Arts)在学中、仲間たちと「アマウント・ボーイズ」というダンス・チームを作ってプロを目指すようになった。ニッキー・ミナージとは同級生でケリースは3年先輩。他にも、俳優のウェズリー・スナイプスやアル・パチーノとか有名人が沢山いるよ。

H2N:         ダンサーとして最初の仕事は何ですか。

AA:  Pディディーのアーティストで当時13歳だったジェロームのミュージック・ヴィデオ「ディアー・イヴェット」。振り付け担当だったローリアン・ギブソン(有名コリオグラファーで、後PディディーのTV番組、Making The Bandの振り付けを指導)のオーディションを受けて気に入られたのがきっかけ。若いアーティストに釣り合う若いダンサーという条件に俺たちがぴったりだったらしい。当時はローリアンがどういう人なのか全然知らなかったけど、一からいろいろ教えてもらったし今でも尊敬する大先輩だよ。俺がまだ高校生、16歳くらいの時。「もう、これしかない。」って思ったよ。高校卒業までにダンスの仕事が入らなかったらあきらめて大学に行こうと思ったけど、3LWや、マリオ、オマリオンと次々に仕事が入っちゃってそれ以来この世界にどっぷり(笑)。

AntBoogie at BDC

H2N:         マドンナのツアーにも参加したそうですが。「クィーン・オブ・ポップ」と仕事した感想は?

AA: 2008年の「スティッキー&スウィート・ツアー」にダンサーとして参加したんだけど、すごくいい経験になった。マドンナはいろいろなダンス・スタイルを取り入れていて、前回のツアーではフットワーク、ハウス、Bボーイ、それにポッパーのはむつんサーヴをフィーチャーしたり……。知ってるよね、日本のダンス・チームのはむつんサーヴ、マドンナのツアーの先行グループに同行したんだよ。

H2N:         日本にも行ったことがあるそうですが、どんな印象でしたか。

AA: オマリオンが日本に行った時にダンサーとして同行したんだけど、日本の人たちのダンスに対する意識がアメリカと全然違うのにすごく驚いたね。雑誌とかにもダンサーがフィーチャーされてるし、いろいろなショーとかパフォーマンスがいっぱいあってびっくり。みんなすごく真剣で情熱に溢れてる。

BDCレッスン風景

H2N:         あなたは現在、ブロードウェイ・ダンス・センターやパール・スタジオなどでヒップホップ・ダンスを教えているそうですが、生徒はどんな人たちが多いですか。

AA: 厳密には、ヒップホップというよりはアマウント・ボーイズのスタイルを教えてる。いろいろな国の人がいるけど、ダントツで日本人が多い(笑)。みんな真面目だし礼儀正しいね。レベルもかなり高いと思う。リズム感もすごくいいし、ヒップホップに関して言えば、日本人とすごく相性がいいと思うな。いろいろな国の生徒がいるけど、日本人が一番か二番くらいにリズム感がいいと思う。うちのクラス、英語もほとんどわからない日本人も多いんだ。俺はけっこう喋るほうだけど、何を言っているのかわからなくても、フリとかバイブとか感じ取ってちゃんとついてきてくれてる。

H2N: 最近、新しいプロジェクトを始めたそうですがどういうものか教えて下さい。

AA: ダンサー向けのスポーツ・リーグ、「アーバン・ダンス・リーグ」というのを始めたんだ。詳しくはウェブサイトをチェックしてね。

http://urbandanceleague.com/